Background
By Harold Bell Wright and his son, Gilbert Munger
Wright, who used the pen name John Lebar. Wright did a lot to help
his sons establish successful careers. He undoubtedly did the
most, and agonized the most, trying to help Gilbert become successful as
a writer and producer. Speculation that Gilbert wrote the entire book while Dad
added only his name to help it sell better is not true. In a letter to
his son, Norman, dated February 10, 1944, Wright offered these
details:
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"In 1930 I figured a way
to help Gilbert and his little family to full financial
freedom. I proposed that he collaborate with me in writing a
novel. I said that for his share in the collaboration he
should receive all that the magazine serial rights paid,
and all that the motion picture rights paid. For my
share I would take the book royalties only.
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"We worked together on a rough draft of
an outline using my card system.
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He [Gilbert] wrote an outline from this first
draft.
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We together revised the outline.
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He wrote the first writing of the story.
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We worked together on a revision.
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He did a rewrite.
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Then I worked alone on a final re-write of the
revision and with Mrs. Culan's help proof-read and prepared
the copy for the printers, and made the publishing
arrangements.
"This book was published in 1932. The
serial rights paid Gilbert $15,000. The motion picture
rights paid him $7,500. I received from the book royalties
$2,336.29. My plan to give my son financial self-respecting
freedom from debt seemed to work out." [bullet points
supplied by Chudleigh] |
Collecting
This was Wright's second book to sell very few copies, making it
one of the "furious five" rare titles today. After an unusually
large number of unsold copies were returned by dealers, net sales
totaled 9,639, including reprints and foreign editions. All American first
editions were published by Appleton, who always included a printing
number on the last page of the book. Printing numbers higher than
(1) are considered less desirable by collectors than first printings. Reprints were also published by Burt. In the 1990s Yestermorrow produced reprints for
Barbara Berry's Bookshop. These Yestermorrow copies show up
frequently on eBay.
What is this Book
About?
Wright was an idealist. He believed in the natural
goodness of ordinary people. But he also recognized evil. His stories
feature ordinary people following the good old ways of love, service to
others, honesty and hard work, triumphing over evil people who ignore,
or scorn, the good of others in order to gain money, prestige or power.
In the Devil's Highway, Wright and son launch a scathing
attack on scientism. It is probably fair to say this book is an attack
on Nazism, Fascism and Communism, all of which were taking root during
Wright's most productive years. Scientism is the believe that hard
science trumps all other sciences, sentimentalities and spiritual
values. With the recent emergence and rapid development of automobiles,
telephones, airplanes and hundreds of other conveniences, the emergence
of modern medicine, and the broad acceptance of Darwin's evolutionary
ideas and Freud's cause and affect explanations of human character and
behavior, many educated people around the world were concluding that
science would usher in an age of world-wide prosperity and peace. And
this optimism was not limited to physical sciences. Many believed that
criminals, the mentally ill and even lazy people could be studied
scientifically, the causes of their undesirable behavior could be found,
and scientifically determined treatments could fix them. As a result,
prisons became "correctional facilities" and insane asylums became
"sanitariums."
But there is a price for everything, and scientism was
no exception. Correcting criminals required first taking away their
freedom, then applying therapies whether they wanted them or not. Fixing
mental illness sometimes required lobotomies and shock therapy, whether
the afflicted person wanted such treatment or not. And some people
believed that universal human advancement would happen only after the
masses gave up things like religion, love, patriotism and other
prejudices and sentimentality. This might be accomplished through
education or coercion.
But would happen if Scientism was taken to its logical
conclusion? Would we really want to live in a world controlled only by
scientific progress? Today we answer that question with historical
examples: ethnic cleansings, gas chambers, labor camps, politically
motivated sterilizations, and medical experiments on expendable people.
In other words, Wright was right; the things he said would happen, soon
happened. And they were ugly.
In The Devil's Highway, several years before Hitler,
Wright showed what science would produce if not used under the
constraint of traditional values: despots and victims. And along the way
he unmasks the intellectuals and scientists who pretend to be interested
in the good of humanity but are really interested in absolute control
over the masses. Wright's scientists, whose only goal was to produce
desirable results, end up producing what is best for themselves. And the
relationships of the scientists are based on lies, misunderstandings,
betrayals and murders--whatever will produce the desired result.
Real beauty, fulfillment and salvation come from good
people with old fashioned values. That is the message of The Devil's
Highway.
The story seems rather complicated, but isn't. There are
three main characters or groups of characters. Simple goodness is
represented by Alma, the loving daughter of a scientist. She respects
science, but values loving relationships and truth more. Evil is
represented by a succession of scientists, each of whom thinks they are
in control. But eventually each is shown to be a puppet of some more
powerful scientist. Finally we get to the real center of evil, Dr.
Munsker, who lives and works under a mountain in Arizona. And third,
there is Fred Ramsey, the center of the story. He loves Alma, but is
attracted to Scientism. In the end Fred surrenders to scientism and is
destroyed by it, before being miraculously rescued by Alma. And, also in
the end, we see that Dr. Munsker was really just the puppet of a
supernatural evil, perhaps what we might call the Devil.
Review of Book by Dr.
Joyce Kinkead Copyright 1979 by Joyce
Kinkead. Used by Permission
In 1932, the same year that Ma Cinderella was published, Wright
and his son Gilbert (John Lebar) produced The Devil's Highway, a
different kind of book for Wright.
Just as he uses labor and art in Helen of the Old House
and The Eyes of the World, The Devil's Highway represents
his one attempt at using science as a subject.
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